Frida Kahlo
Emotion Exhibition
From Sunday 7 December, 2025 to Sunday 3 May, 2026 the Cattedrale dell’Immagine in Florence opens its doors to Frida Kahlo – Emotion Exhibition, an immersive exhibition dedicated to the incredible artist Frida Kahlo. The exhibition has been conceived, created and produced by Crossmedia Group with the artistic collaboration of Pixel Shapes.
Frida Kahlo – Emotion Exhibition will bring you inside the multi-faceted universe of the iconic Mexican artist, spacing through her art, her life and her ideas. An unprecedented
immersive experience that will move the visitors of the Cattedrale dell’Immagine for
35 minutes, where Frida’s works, together withe the colours of Latin America will bring life
to the walls of the historic Santo Stefano al Ponte church, where culture, modernity and imaginationmeet in the heart of Florence.
The path also features the Mirror Room, the dreamlike VR experience and the Crypt, where visitors
will be able to learn more about the iconic Mexican artist.
Frida Kahlo Vr Experience
Frida Kahlo VR Experience is a dreamlike journey into the incredible world of Frida Kahlo: thanks to Meta Quest 2 headsets, visitors will be able to traverse landscapes suspended between art and memory, surrounded by the vibrant colours of her works, the symbols of her life and the profound essence of Latin American culture.
A unique immersive journey that invites you to explore emotions, visions and dreams through the eyes of one of the most iconic artists of the 20th century.
Gallery
Frida Kahlo
(Coyoacán, 6 July 1907 – Coyoacán, 13 July 1954)
Frida Kahlo was born in Coyoacán, a suburb of Mexico City, in 1907, in a large house with blue walls — the famous Casa Azul — which now houses the museum dedicated to her. The daughter of German photographer Guillermo Kahlo and Matilde
Calderón, a woman of indigenous and Spanish descent, Frida grew up in a lively and cultured environment, but one marked from the start by pain: at the age of six, she contracted polio, which left her with one leg thinner than the
other.
From a young age, she showed a strong personality and lively intelligence. She attended the National Preparatory School in Mexico City, where she stood out for her independence and passion for art and politics. At the age of eighteen,
her life changed radically due to a serious tram accident, which caused her numerous fractures and forced her to undergo long periods of hospitalisation. During her convalescence, she began to paint, using an easel adapted to her
bed and a mirror on the ceiling to observe herself: this gave rise to her most recognisable artistic signature, the self-portrait.
In the following years, Frida came into contact with artists and intellectuals of the Mexican avant-garde. In 1929, she married the famous painter Diego Rivera, with whom she had an intense and tormented relationship, marked by love,
betrayal, mutual respect and profound artistic influence. Together they lived between Mexico City and the United States, where Frida experienced loneliness, nostalgia for her homeland and the pain of the miscarriages that marked
her life. These experiences gave rise to some of her most famous works, such as Henry Ford Hospital (1932) and My Birth (1932).
In the 1930s, Frida began to be recognised as an artist independent of Diego, exhibiting in New York and Paris, where André Breton described her as “a surrealist born by instinct”. However, she rejected all labels: ‘I don’t paint
dreams or nightmares. I paint my reality’. Her deeply autobiographical and symbolic painting blended elements of Mexican popular culture with universal themes such as suffering, motherhood, femininity and death.
In the 1940s, Frida reached full artistic maturity and became a leading figure in Mexican culture and the progressive movements of her time. She taught at the La Esmeralda art school, actively participated in the communist struggle
and welcomed prominent figures such as Lev Trotsky and André Breton into her home. Despite her increasingly precarious health, she continued to paint passionately, transforming pain into colour and poetry.
In 1953, now seriously ill and with one leg amputated, Frida opened her first solo exhibition in Mexico: she attended on a bed and was greeted with a standing ovation. She died the following year, aged just 47, in the same Casa Azul
where she was born. On her last work, Viva la vida, she painted a simple and powerful message: a celebration of life, despite everything.
Today, Frida Kahlo is considered one of the most iconic artists of the 20th century, a symbol of female strength, freedom and self-determination. Her legacy goes beyond painting: it is a manifesto of authenticity and courage, a hymn to life and human resilience.












